Showing posts with label placebo. Show all posts
Showing posts with label placebo. Show all posts

14/03/2013

Gay anthems aren’t all sparkles and belting

Originally published on www.sosogay.co.uk


The gay anthem is something that has become synonymous with the gay community over the last couple of decades. From Over the Rainbow’ to ‘I’m Coming Out’, all the way through to ‘Beautiful’ and ‘Born This Way’, sung by Judy Garland, Diana Ross, Christina Aguilera and Lady Gaga respectively; and that’s only a few songs and singers off the top of my head.
There are plenty more where they came from as the gay anthem can date back to as early as the 1920s with ‘The Lavender Song (Das Lila Lied).’ The song is often thought to be one of the very first gay anthems as it was produced during a brief moment in time when the quality of life for gay men and lesbians was improved in the German Weimar Republic, and was written after the first international conference of sexual reform. Even ‘Over the Rainbow’ is more than 70 years old, and when it comes to listing gay anthems today we can usually see the formula used to create it: a bit of struggle, a dash of hardship and the mandatory big voice to belt it out.
However, the one thing I have noticed when it comes to the lists of gay anthems is that they are always rather mainstream and obvious choices. These lists tend to contain a number of artists closely associated with the gay community in one way or another. It’s not unusual to see gay anthems being listed as everything in the back catalogue of artists like Madonna, Kylie Minogue and Barbra Streisand, which in all honesty is a little limiting. After all, there are plenty of songs from other genres, besides disco and Broadway show tunes, that contain songs that can be viewed as gay anthems and in fact convey a message that many of these often-recognised anthems do.
There are two very specific songs that spring to mind from the rock genre, which may surprise you because it isn’t an obvious place to look for a ‘gay anthem’. The first of these songs is ‘Minority’ by Green Day. The song unashamedly shouts out about wanting to be the minority and not, as they put it, ‘the moral majority’. You can see that this song is giving a voice to all those people who are persecuted because they aren’t the white, straight, middle class American suburban family that are married with two children and a white picket fence. In a way, this song, much like Lady Gaga’s ‘Born This Way‘, is giving a voice to anyone and is a song about rights and embracing who you are. However, as a rock song it doesn’t really make the standard lists which are filled with big voice divas belting their way through four minutes of self-discovery.
The second song that stands out is ‘Standing in the Way of Control’ by American rock group Gossip. The song itself was written as a response to the denial of gay marriage in America, something that the gay community across much of the world can understand. Despite receiving considerable chart success here in the UK thanks in part to its use in the promotional advert for teen drama Skins, and being heavily considered as an alternative indie floor-filler, it is often overlooked for what it is actually about – equal rights, which automatically puts it in the alternative gay anthem category. Furthermore, a lesbian with a big voice sang it and, even though Beth Ditto isn’t your conventional diva, that surely gives it enough credit to be a gay anthem.
There are many more songs by various artists that could also be included on this list of alternative gay anthems. Just listen to a handful of songs by Placebo whose songs were used throughout Queer as Folk USA due to their subject matter, specifically ‘Taste in Men’. Then there are artists such as Peaches, whose gender-bending stage antics and controversial lyrics about sex and sexuality automatically put her high on the ‘gay icons’ list. But songs such as ‘I U She‘ convey a message that, although we are forced into boxes, it is ultimately ourselves who choose how and who we have sex with, something that many in the gay community know about. Clearly there are more songs out there other than Broadway tunes that give gay equality a voice, and in many cases they have far more substance to them than those by the big voiced divas.
Even though stereotypically rock and indie music aren’t considered to be favourite genres of gay people, it certainly has many songs that the gay population can relate to.


27/11/2012

Review: Placebo - B3

Originally posted on www.soundblab.com


It has been three years since Placebo last released a new album and over a year since their last EP. However, unlike the last one, which was a recording of a live performance, the B3 EP is a collection of five new songs to help you get excited about the next album.
With a slated release date of March 2013 for the new record, this EP gives you an idea of the direction the band are going, which seems a little different/experimental, and it appears that this will be the case on the next album as all five tracks here are completely different, in a good way.
We obviously have the heavy drums and guitars that Placebo have become well known for, coupled with Brian Molko's angst-ridden vocals, which still sound exactly the same as they did over a decade ago - quite some feat I must say. Thrown into the mix of angst, guitars and drums, we have a few synth sounds which almost make me think of space, but that's probably just because I've recently embraced my inner sci-fi geek.
The album has two tracks that stand out from the others: 'The Extra', which is slow, upbeat and rocky all at the same time, and sounds like some of their older stuff but also fresh and new. The other stand-out is the last song on the EP, 'B3', which starts with some synths before the guitars and drums burst in, giving us a blast from the past when it comes to the band - yet it doesn't get boring.
Track number two, 'Time is Money', is the only song which doesn't quite match up to the rest of them. At just over seven-minutes-long, it gets a little repetitive and boring, almost bordering on overly mopey. But I can look past that given the quality of the other songs.
With all five tracks having a different sound and feeling a little experimental, it will be very interesting to see how the next album turns out. If this EP is anything to go by, Placebo fans should be in for a treat in the new year.