Review: Bjork - Bastards

Originally published on www.soundblab.com

The eccentric or, as some may put it, batshit crazy Icelandic singer Bjork returns to the music scene with the remix album of her seventh studio album Biophilia, the aptly-titled Bastards. Now credit where credit is due, anyone who names their album Bastards deserves a round of applause. Of course, Bjork has been doing that kind of thing for almost 30 years, first as part of the band The Sugarcubes and then solo.

She's done more than garner masses of applauses as well. After all, the unconventional singer has gained herself numerous Grammy Award nominations and has even been nominated for an Academy Award. However, I don't quite think that honour will be bestowed this album. I'm a big fan of Bjork's massive back-catalogue and I often find that some of her songs work extremely well as remixes. In fact, the remix of 'Army of Me' is probably better than the original version.

However, her eclectic mix of music and amazing vocals just aren't enough to save this remix record. Some tracks are OK, some are good, some are bad and some are a little hit-and-miss altogether and tend to just blend into the background, and Bjork is someone who should never blend into the background. The album does sound very worldly and mixes what sounds like Bollywood and African music into her rocky, electro sounds. While this is all well and good, many tracks sound too samey and just get lost while you're doing something else.

The best track on the album has to be 'Crystalline', which mixes Bjork's excellent vocals with an upbeat, haunting and Bollywood-inspired sound. It's not a combination you would initially put together but it works. The same thing works but not quite as well on the track 'Thunderbolt,' although there's just not enough of Bjork on it.

Other good tracks are 'Sacrifice' and 'Sacrifice Reprise' with their haunting vocals and almost minimal music, focusing on the voice, which is, as always, amazing. Both tracks are very atmospheric and melancholic, with the later making you feel as though Bjork herself has been engulfed in waves. Listen to it and you'll get what I mean. The worst track has to be 'Hollow', which is just seven long minutes of really boring music and boring vocals which don't grab your attention or make you feel anything other than bored. Basically, it's an awful track.

A special mention has to be given to 'Mutual Core', which has a number of excellent vocals. When it kicks in, it's extremely dark and heavy. However, only these parts are worth listening to - some are flat out yawn-inducing. It's a classic case of the hit-and-miss song.

Overall this album has some good mixes and some brilliant vocals. However, some parts completely miss the mark and leave you bored while only a few others pick you up. I think Bjork needs to go back to the drawing board and work on some new music, which is probably best for all of us.

Review: Placebo - B3

Originally posted on www.soundblab.com

It has been three years since Placebo last released a new album and over a year since their last EP. However, unlike the last one, which was a recording of a live performance, the B3 EP is a collection of five new songs to help you get excited about the next album.

With a slated release date of March 2013 for the new record, this EP gives you an idea of the direction the band are going, which seems a little different/experimental, and it appears that this will be the case on the next album as all five tracks here are completely different, in a good way.

We obviously have the heavy drums and guitars that Placebo have become well known for, coupled with Brian Molko's angst-ridden vocals, which still sound exactly the same as they did over a decade ago - quite some feat I must say. Thrown into the mix of angst, guitars and drums, we have a few synth sounds which almost make me think of space, but that's probably just because I've recently embraced my inner sci-fi geek.

The album has two tracks that stand out from the others: 'The Extra', which is slow, upbeat and rocky all at the same time, and sounds like some of their older stuff but also fresh and new. The other stand-out is the last song on the EP, 'B3', which starts with some synths before the guitars and drums burst in, giving us a blast from the past when it comes to the band - yet it doesn't get boring.

Track number two, 'Time is Money', is the only song which doesn't quite match up to the rest of them. At just over seven-minutes-long, it gets a little repetitive and boring, almost bordering on overly mopey. But I can look past that given the quality of the other songs.

With all five tracks having a different sound and feeling a little experimental, it will be very interesting to see how the next album turns out. If this EP is anything to go by, Placebo fans should be in for a treat in the new year.

Review - Paul Weller - When Your Garden's Overgrown

Originally posted on www.soundblab.com

Legendary rock star Paul Weller returns with 'When Your Garden's Overgrown', the third single from his latest album, Sonik Kicks. However, instead of releasing it as an ordinary single, he has released it as an EP with two new tracks not included on the album.

The EP's tracks, 'When Your Garden's Overgrown', 'We Got a Lot' and 'Lay Down Your Weary Burden', are three great songs with excellent guitar riffs and are definitely something fans will find themselves moving to at the next Paul Weller gig. The vocals are upbeat with a bit of melancholy thrown into the mixture to give the songs that extra something. However, despite their quality, the songs do tend to sound the same, and I doubt they'll set the charts alight.

That said, we all know what we are getting these days when we buy a Paul Weller single or album and that's good lyrics, great music and a brilliantly distinctive voice, and that's exactly what we have on this EP. Oh and Noel Gallagher features on bass guitar. It doesn't get much better than that.