Are Gay Men Considered More Acceptable On Screen Than Lesbians?

Originally posted on www.biggaypictureshow.com

Gay people have entered the mainstream media significantly in recent times, whether as television or radio presenters or characters in television and film. But something that has to be looked at, is how this representation is mainly of gay men.

When we see gay couples or a singular gay person in a film or on television, it is almost always gay men and very rarely a lesbian or lesbian couple. But why is this? Is the media and society in general more accepting of gay men that it is of gay women?

In recent times gay men have been shown in a particular light – we all know the stereotype of the fashion conscious, confident, out going, opinionated gay man who regularly springs up in TV programmes and films. When partnered with a straight woman, this coupling looks like a sure fire hit – just look at Carrie and Stanford in Sex and the City.

This cool trendy image of the gay man has also seeped into public consciousness as well, because as a gay man, how often have you bumped into someone on a night out or just with friends and heard the phrase, “I’ve always wanted a gay friend.” However you never hear someone say the same about having a lesbian friend, maybe because some people still have the image that lesbians are Dr Martins wearing, radical feminists in dungarees and checked shirts. It’s a stereotype that I can’t say I’ve actually come across in real life, and there aren’t many, if any, straight man and gay woman or straight woman and gay woman pairings in our regularly viewed entertainment.

But why is this? Is it because of the image that has been broadcast everywhere of gay men and the use of celebrities such as Graham Norton, Alan Carr and Gok Wan that have made gay men much more accessible and fashionable than women? We do have lesbian television presenters such as Sue Perkins, but let’s be honest, her time on television can’t really be compared to the constant presence of her gay male counterparts.

When it comes to gay men on television and film, there isn’t as much representation as there could be, especially in film, where lead gay characters are few and far between, but there are still significantly more gay men than there are lesbians.

Programmes such as Queer as Folk and Will & Grace helped bring gay men into the mainstream media and they have become staples ever since, but if Will was straight and Grace was a lesbian, would the programme have been as big as it was? The answer is probably no, because the stereotype conveyed in society of a gay man seems to add more comic value than that of a lesbian.

This continues throughout television where gay couples on British TV in Eastenders and Coronation Street have been major successes and have been given many major storylines (there have been lesbian storylines, but beyond the girl-on-girl kiss in Brookside, haven’t seeped into cultural consciousness in the same way). In film, Brokeback Mountain was a major Hollywood success both financially and personally for gay men, as they hadn’t had that type of exposure in a Hollywood movie ever, but there hasn’t been a major mainstream film based around lesbians.

Ok, there was The Kids are Alright in terms of movie representation, and there have been hit shows in the form of The L Word and Lip Service, but the majority of viewers for these programmes seem to be lesbians or people who already back the LGBT community, whereas programmes like Queer as Folk became a surprise hit with a large number of diverse viewers. The character of Sophie Webster has also played one of the bigger characters in Coronation Street recently, and being a lesbian the character is one of the most high profile in terms of lesbian representation, but why did it take them so long to introduce a lesbian character when they’d already had a few major gay themed storylines at that point?

We may never know the real answer, but hopefully the representation and acceptance of gay females on television and in film will improve, in the same way that it did for gay men. Sue Perkins is currently writing a new sitcom for BBC2 concentrating on a lesbian vet. How well it will do is another matter. But with representation increasing, hopefully we will see gay women and men on our television screens in a bigger quantity and more regularly. Who knows, the next big gay film in Hollywood may just centre around a lesbian. Here’s hoping.

We Remember: The Celluloid Closet

Originally posted on www.differentscene.co.uk

Over the decades there have been numerous films that have openly centred on gay people and gay themes, then there are those that explored it more covertly with undertones of homosexuality.

One film took a look at a huge selection of these films, from early Hollywood cinema that enforced the production code that labelled homosexuality under the bracket of sex perversion preventing the display of gay themes, to more recently where a number of films have been able to explore homosexuality.

The Celluloid Closet began its life as a book back in 1981 and was written by Vito Russo. Then in 1996 it was turned into a documentary film narrated by the ever-talented Lily Tomlin.

The film takes a look at 100 hundred years of Hollywood cinema and explores the way in which they tackled homosexuality, from the beginning of cinema with the often present effeminate male character, that although was never openly stated as being homosexual, relied heavily on a stereotype that was developing in society. To the days of the production code that didn’t allow a man and woman to be shown in bed together, never mind two men. This is where homosexual themes in cinema went underground and became more covert, up until the 1960s when the gay rights movement began and the production code was finally disabled, allowing homosexual themes to be explored more openly.

The film is a great documentary for anybody who is interested in film and anyone who is interested in the representation of homosexual characters within film history. It gives you a great insight into how a number of negative representations began surrounding homosexuals and how these started in the medium of film, and helps you see how being gay in not only cinema but in society has come a long way since the early 1900’s.

I think it’s a great documentary, and is extremely important when discovering the history of LGBT cinema. The film should be seen by everyone in order to help them understand how the powerful movie companies repressed homosexuality and how this had a lasting effect. It also helps you see that although it was repressed it is still there in an enormous amount of films, and shows the viewer that gays in cinema have come a long way, even since the 1980’s never mind the 1930’s.