Review: Fear of Men - Early Fragments

Originally published on www.soundblab.com

Self-described alternative indie-pop band Fear of Men are entering the world of albums in a very unique and unusual way. Hailing from Brighton, the quartet are releasing their debut of 90s-influenced music, which technically isn't a debut at all. How is this?, I hear you ponder to yourself. Well, the band are currently working on their debut album as we speak, but to get us excited the band is releasing Early Fragments, a compilation of previously released singles.

After releasing singles on various UK indie labels, this album contains eight songs which span their career so far, from their debut single in 2011 all the way up to the present day. The band have made quite a name for themselves after touring extensively, in fact, they are still touring at the moment, and have been compared to another indie-pop band: Veronica Falls.

Unlike albums from Veronica Falls, this is much easier to listen to. In common Veronica Falls, they do have a few singles that sound the same, but whereas you tend to zone out because the Veronica Falls singles sound similar, you just don't with Fear of Men, perhaps something to do with the fact that all the songs were singles. Aside from this comparison, the band at times remind me a little of The Cranberries. You can hear the obvious 90s influences shining through. Maybe 90s indie-pop/rock is making a comeback.

There are two songs which stand out more than the rest: 'Mosaic', with its haunting yet summery sound which makes you want to dance around and reminisce about times gone by, and 'Ritual Confession', a catchy and infectious song with brilliant music and excellent vocals which you get lost in from the moment it starts. The remainder of the songs on the album are good but don't quite match up to these two, except for 'Spirit House', which is just a yawn-inducing sleep-fest that blends into the background and makes you want to switch off. No wonder it's the last track on the album.

Aside from this, the album is good and is just enough to get you a little excited for their first full-length. However, I've heard this sound before and, with only one or two standout tracks among the already released singles, the band are going to have to turn it up a notch for their first proper album.

Review: Veronica Falls - Waiting for Something to Happen

Originally published on www.soundblab.com

London-based indie-pop quartet Veronica Falls return with Waiting for Something to Happen, the follow-up to their self-titled 2011 debut album. The 13 track album, produced by Rory Attwell, who has also produced work by The Vaccines, tells the story of someone slowly coming to terms with the process of growing up and learning to face adult responsibility.

The album itself is not what I was expecting. For some reason, I had it embedded in my head that this band was going to sound like some ear-puncturing second-rate group who should never have released an album. However, this couldn't be any further from the truth, as the group blend melancholic lyrics and themes into ethereal and happy, ghostly music to create something which hasn't been heard in a while.

I say this because the band appears to have drawn on 1960s, hippie influences and combined it with inspirations from a number of 90s indie-pop bands. In a way, they kind of reminded me a little of Echobelly crossed with the more recent The Long Blondes. They aren't quite as feisty as The Long Blondes but you can definitely hear the influences.

What the group are particularly good at is harmonies and the blending of their vocals. The fact that you could hear both female and male vocals, without one drowning out the other, reminded me a little of The xx, although otherwise their music couldn't be more different. When it comes to the actual songs, 'Broken Toy' stands out as does 'Everybody's Changing' with its uplifting sound, telling the story of growing up but wanting to stay young.

However, this is as far as you get with saying which songs you like, as they all kind of sound the same and blend into one. This is a bad thing, as you can enjoy dancing around to them, but as they do sound similar there is the problem of tuning out at times. Overall, this is a great second album for any band and it would be great to see them get more attention. Yet, with no standout track, it's a shame to say I feel this unusual and new work will sadly go unnoticed.